Schedule

      

9:00 – 9:30     Registration

9:30 – 9:45     Welcome

Carole-Anne Upton, Steffi Sachsenmaier and Noyale Colin

9:45 – 10:30    KEYNOTE 1 – Simon Murray

Lightness of touch: politics and embodiment in collaboration

10:30 –11:45   SESSION 1

                        PATH A - Anonymity, secrecy and privacy: collaborative ethics

Alexandra Kolb

Collaborations…erosions

Steve Fossey

A Collaborative of Anonymities

Stuart Tait

                        Molecular Collaboration

PATH B* - Inequalities, identities and (dis)abilities
            BSL interpretation

Jane Carr

Collaboration as a site of Intertwining: Re-considering the embodied interrelationships between dancer, choreographer and audience

Pedro de Senna, Caroline Bowditch and David Bower

Nothing about us without us: collaborations between disabled and non-disabled practitioners

11:45 – 12:15  Coffee

12:15 – 1:45    SESSION 2

                        PATH A - Choreographic pluralities

Freddie Opoku-Addaie/ Jorge Crecis/ Mary Anne Hushlak/ Stephanie Schober

                        Dance Games

                        Jo Breslin and Jill Cowley

                        Collaborative  Choreography: An Approach to Making 

Tuuli Tahko

Collaboration through communication: dancers and choreographers at work

Mariella Greil and Martina Ruhsam

Postconsensual collaboration. A shared lecture on plurality and the choreographic

PATH B - Labour and the Collective
BSL interpretation

Eugenie Pastor

Being Oneself Collectively: An exploration of the construction of collective virtuosity in the work of Little Bulb Theatre

Noyale Colin

                        Collaboration as a Mode of Labour: A Post-Marxist Perspective

Tim Jeeves

                        The gift of the Author

Arabella Stanger

                        John Cage’s 1952 event and the politics of collaborative autonomy

1:45 – 2:45      LUNCH

PLUS installations (throughout the day):

Skrypt - Writing-Dancing presented by Choreographic Lab (Jane Bacon and Vida Midgelow)

I’ll take you with me - Solo performance intervention by Angela Woodhouse and Henrietta Hale

‘Heroin’ to Heroines - Fugitive Images’ collaborative film screening by David Roberts

S-5 in the drivers cab of history – Film installation by Adrian Palka

Glitching – Digital installation by Beverley Hood

2:45 – 3:30      KEYNOTE 2 – Rosemary Butcher and Susan Melrose. A dialogue.
Just in time: collaborative memory work and judgement in dance-making practices

3:30 – 5:00      SESSION 3

                        PATH A - Cultures and communities

Ola Johansson

Beyond Vice

LeighTredger and Mark James Hamilton

Cross-cultural adoption: The Politics and Metaphysics of Being Between Worlds

Campbell Edinborough

Treading On Fine Lines: budo and the development of democratic presence

Ailsa Richardson

Collaborative Performance pedagogy and the re-thinking of community and its working/unworking

PATH B - Cross/Inter/Multi? Working within and across boundaries
            BSL interpretation

Stefanie Sachsenmaier

Work Me Out! Spontaneous Combustion, Remote Collaboration – Researching into various collaborative set-ups in performance-making

Point and Place

                        Exposing the collaborative process of Point and Place: a score

Jo Scott and Dreidre McLaughin

Divergence/Convergence: Reflective on digital Interactivity and the Construction of Self in Collaborative Processes

Sara Giddens and Simon Jones (Bodies in Flight)

                        Forcing and Dwelling

5:00 – 5:15     COFFEE

5:15 – 6:00     PLENARY PANEL with wine
                       Rosemary Butcher, Emilyn Claid, Mark Franko, Josephine Machon, Simon Murray,
                       Pedro de Senna, Carole-Anne Upton

6:00               PERFORMANCE

                      Gerard Bell and Karen Christopher (Haranczak/Navarre Performance Projects)

                      So Below

                      * British Sign Language interpretation is provided for Path B